The Wheel Of Torment 2006 No Language 720p WEB-DL x264
Downloads: 31007
Last checked: Feb. 16th '26
Date uploaded: Feb. 16th '26
Seeders: 28025
Leechers: 8801

The Wheel of Torment
Animation
A perfect little nightmare, WHEEL OF TORMENT takes several dizzying turns around Hieronymus Bosch’s epic pageants of violence set to Buckethead's spastic music.
INFO HASH: 3E4A260B158E5C67CD239466776E22149C6BB7E9

Year: 2006
Country: United States
Director: Rodney Ascher, Syd Garon, Eric Henry
Language : No Language

Under feudalism economic power was expressed as the ownership of land. Money played a secondary role. But the rise of trade and manufacture and the incipient market relations that accompanied them made Money an even greater power. But side by side with extravagant wealth, life for the masses was miserable, painful, brutish and short. The life of the peasant under feudalism was harsh in the extreme even under normal conditions. But the conditions in the late stage of feudalism were far from normal.
The rise of capitalism – especially in the Netherlands where it emerged earlier than in any other country except Italy – was accompanied by new attitudes, which gradually solidified into a new morality and new religious beliefs. The Hanseatic League, with over a hundred trading cities, controlled the commerce from England to Russia. Great fortunes were being made. Powerful banking families like the Fuggers arose and challenged the might of kings. A new power arose, a power that was disintegrating the fabric of the old society and undermining its values: the power of money.
A new spirit was abroad – the spirit of materialism and commercialism. Art itself gradually became a commodity. If the artist was successful he could himself acquire wealth and status. But the majority were merely artistic proletarians or at best artisans.
In his great triptych, The Haywain (c.1485-90; Prado, Madrid), Bosch shows a world governed by greed and violence: here the whole of humanity is running after the Haywain. A loaded hay wagon, as depicted in Bosch’s painting, would have been a familiar sight to people of the 15th century, as a symbol of food stored for the winter and thus of prosperity. But here the hay symbolises the power of wealth and money. It recalls the old Dutch proverb: "De werelt is een hooiberg; elk plukt ervan wat hij kan krijgen” (The world is a haystack and everybody grabs from it as much as he can get). All humanity is in thrall to the Haywain, which is being drawn by seven devils towards the burning fires of hell on the right hand side.
The foreground of the painting is chaotic. Everyone is fighting to obtain a bit of “hay”. In the foreground one man cuts another man’s throat for his gold. People are prepared to kill or be run over by the cart for money. Women offer their bodies for it. Magistrates sell their honour for it. To the right, the wagon is being pulled by an assortment of strange demonic creatures from the underworld. One of these creatures is a combination of a man and a fish; another is part bird, and a third is a hooded man with branches growing out of his back.
Nearby, people can be seen streaming out of a wooden doorway in a mound of earth. The Haywain itself is accompanied by men and woman trying to grab handfuls of hay; they fight and fall beneath the wheels. In the foreground of the painting we see two nuns stuffing a sack of hay for the benefit of a fat monk, who is depicted calmly drinking the sacramental wine as he supervises the plunder of his flock. The implication is not just that the Church fleeced the people, but also hints at illicit sexual relations between nuns and monks. This was a view universally held at the time – and not without good reason. There were many scandals attributed to the Church; the faithful felt themselves abandoned.
Churches were among the biggest landowners of those times. Monks and priests, although sworn to charity and poverty, paid more attention to their own material comforts than living a pious life. A large part of the wealth of the Church was raised through the sale of Indulgences – scraps of paper that promised the purchaser freedom from Purgatory for a small down payment. Hans Dietz, the notorious peddler of Indulgences, boasted that souls leaped out of hell when the coins chinked in his purse. Bosch’s attitude to the church is shown by the presence of nuns and monks eagerly participating in the chase after the Haywain.
The only figures in the picture who seem cool and aloof are the rich of the earth: To the left, an emperor, a king, and a pope ride behind the cart at a respectable distance, incongruously providing an escort for a wagon-load of dried grass. However, their aloofness is deceptive. The only reason they are not also running after the cart is that they already possess more than enough “hay” – but in fact they are also its faithful and obedient slaves, and are also moving inexorably towards the Day of Judgement. (Alan Woods)

[ About file ]
Name: The Wheel Of Torment.Rodney Ascher, Syd Garon & Eric Henry.WEB-DL.2006.mkv
Date: Sun, 15 Jun 2025 22:59:17 +0100
Size: 32,591,930 bytes (31.082087 MiB)
[ Magic ]
File type: Matroska data
File type: EBML file, creator matroska
[ Generic infos ]
Duration: 00:02:17 (137.04 s)
Container: matroska
Production date: Sun, 15 Jun 2025 12:52:03 +0100
Total tracks: 2
Track nr. 1: video (V_MPEG4/ISO/AVC) {und}
Track nr. 2: audio (A_AAC) {und}
Muxing library: libebml v1.3.3 + libmatroska v1.4.4
Writing application: mkvmerge v8.5.2 ('Crosses') 32bit
[ Relevant data ]
Resolution: 1280 x 720
Width: multiple of 32
Height: multiple of 16
Average DRF: 30.142988
Standard deviation: 1.765435
Std. dev. weighted mean: 1.711741
[ Video track ]
Codec ID: V_MPEG4/ISO/AVC
Resolution: 1280 x 720
Frame aspect ratio: 16:9 = 1.777778
Pixel aspect ratio: 1:1 = 1
Display aspect ratio: 16:9 = 1.777778
Framerate: 25 fps
Stream size: 28,057,618 bytes (26.75783 MiB)
Duration (bs): 00:02:11 (131.48 s)
Bitrate (bs): 1707.186979 kbps
Qf: 0.074097
[ Audio track ]
Codec ID: A_AAC
Sampling frequency: 44100 Hz
Channels: 2
Stream size: 4,488,381 bytes (4.280454 MiB)
Bitstream type (bs): AAC LC (Low Complexity)
Frames (bs): 5,899
Duration (bs): 00:02:17 (136.974512 s)
Chunk-aligned (bs): Yes
Bitrate (bs): 262.14401 kbps VBR
Sampling frequency (bs): 44100 Hz
Mode (bs): 2: front-left, front-right
[ Video bitstream ]
Bitstream type: MPEG-4 Part 10
User data: x264 | core 79 | H.264/MPEG-4 AVC codec | Copyleft 2003-2009
User data: http://www.videolan.org/x264.html | cabac=1 | ref=3 | deblock=1:0:0
User data: analyse=0x3:0x113 | me=hex | subme=7 | psy=1 | psy_rd=1.0:0.0
User data: mixed_ref=1 | me_range=16 | chroma_me=1 | trellis=1 | 8x8dct=1
User data: cqm=0 | deadzone=21,11 | chroma_qp_offset=-2 | threads=24 | nr=0
User data: decimate=1 | mbaff=0 | constrained_intra=0 | bframes=3 | b_pyramid=0
User data: b_adapt=1 | b_bias=0 | direct=1 | wpredb=32 | wpredp=2 | keyint=250
User data: keyint_min=25 | scenecut=40 | rc_lookahead=40 | rc=abr | mbtree=1
User data: bitrate=1800 | ratetol=2.2 | qcomp=0.60 | qpmin=10 | qpmax=51
User data: qpstep=4 | ip_ratio=1.41 | aq=1:1.00
SPS id: 0
Profile: [email protected]
Num ref frames: 3
Aspect ratio: Square pixels
Chroma format: YUV 4:2:0
PPS id: 0 (SPS: 0)
Entropy coding type: CABAC
Weighted prediction: P slices - explicit weighted prediction
Weighted bipred idc: B slices - implicit weighted prediction
8x8dct: Yes
Total frames: 3,287
Drop/delay frames: 0
Corrupt frames: 0
P-slices: 1753 ( 53.331 %) ###########
B-slices: 1479 ( 44.995 %) #########
I-slices: 55 ( 1.673 %)
SP-slices: 0 ( 0.000 %)
SI-slices: 0 ( 0.000 %)
[ DRF analysis ]
average DRF: 30.142988
standard deviation: 1.765435
max DRF: 34
DRF<15: 0 ( 0.000 %)
DRF=15: 2 ( 0.061 %)
DRF=16: 3 ( 0.091 %)
DRF=17: 4 ( 0.122 %)
DRF=18: 4 ( 0.122 %)
DRF=19: 4 ( 0.122 %)
DRF=20: 4 ( 0.122 %)
DRF=21: 4 ( 0.122 %)
DRF=22: 4 ( 0.122 %)
DRF=23: 4 ( 0.122 %)
DRF=24: 4 ( 0.122 %)
DRF=25: 8 ( 0.243 %)
DRF=26: 18 ( 0.548 %)
DRF=27: 30 ( 0.913 %)
DRF=28: 9 ( 0.274 %)
DRF=29: 706 ( 21.479 %) ####
DRF=30: 1618 ( 49.224 %) ##########
DRF=31: 382 ( 11.622 %) ##
DRF=32: 177 ( 5.385 %) #
DRF=33: 172 ( 5.233 %) #
DRF=34: 130 ( 3.955 %) #
DRF>34: 0 ( 0.000 %)
P-slices average DRF: 30.31603
P-slices std. deviation: 1.570717
P-slices max DRF: 34
B-slices average DRF: 30.043949
B-slices std. deviation: 1.897321
B-slices max DRF: 34
I-slices average DRF: 27.290909
I-slices std. deviation: 1.216145
I-slices max DRF: 31
This report was created by AVInaptic (01-11-2020) on 14-02-2026 20:57:04
