Omozap 2 1991 No Language 1080p BluRay x264

Year: 1991
Country: United Kingdom
Director: Jeff Keen
IMBD: Link

Language : No Language





Omozap, a play on the word ‘Homo Sapiens’.


The fiercely original film-maker, poet and artist Jeff Keen, who has died aged 88, defied categorisation. He produced a vast body of paintings, drawings, sculpture and punchy Beat poetry, but is best known for his films, which incorporated collage, animation, found footage and live action – often all in one work. Keen used highly innovative techniques of superimposition and editing, and frequently etched and degraded the film surface. Works such as Marvo Movie (1967), Rayday Film (1968-75) and Mad Love (1972-78) were shot with his friends and family either at home, on the streets of Brighton or at the local tip; their fantastical, DIY countercultural qualities evoked the spirit of Andy Warhol's Factory and the early cinema pioneers of Brighton, where Keen lived. Despite making his first film in his late 30s, he completed more than 70 films and videos throughout his life.

Keen was born in Trowbridge, Wiltshire, and had a love of wildlife, art and books as a child. He attended grammar school and gained an Oxford scholarship, but this was thwarted by his national service in 1942. Keen was given experimental tanks and aeroplane engines to trial during the war, and would frequently refer back to this period in films such as Meatdaze (1968), which included bombers and sirens on its soundtrack, and Artwar (1993).

After the war, Keen developed a love of movies and comics and attended a small art college in Chelsea. London life encouraged his love of the arts, especially surrealism, Picasso and Dubuffet. When he moved to Brighton, Keen took up work as a landscape gardener for the local council. In 1956, he married Jackie Foulds, who was the muse for his films in the 1960s and 70s, playing the characters Vulvana, The Catwoman and Nadine. Keen himself had a B-movie-style "mad scientist" alter ego named Dr Gaz.

One of his early films, The Autumn Feast (1961), was made with the poet Piero Heliczer, who was part of the Warhol set. From the early 1960s, Keen experimented with "expanded cinema" (film events that exceed the normal modes of cinema projection), combining multiple projections and live art performance. A regular contributor to the "happenings" scene of 1960s London, at the Better Books shop in Charing Cross Road and elsewhere, he also participated in the International Underground Film festival at the National Film Theatre in 1970 and continued to make expansive, surrealist-informed 16mm epics such as White Dust (1970-72) and The Cartoon Theatre of Dr Gaz (1976-79), as well as 8mm diary films. He painted throughout the 60s and 70s and made artist books inspired by his films.

After Keen temporarily separated from Jackie in the early 1980s, his films became more abstract and introspective. He worked in front of the camera more, sometimes donning absurdist paper disguises, almost as if life had not only merged with art but fully collapsed into it. In Blatzom (1986), he became a moving sculpture/drawing hybrid. His friends and family were still involved: his daughter, Stella, operated a second camera and the editor Damian Toal came on board to help with violent, industrial-style videos such as Plasticator (1990s). Artwar was commissioned and broadcast by Channel 4.

Keen's interest in myth, surrealism and romantic painting complemented his love of movies and comics, and he continually absorbed new references into his work. His highly frenetic videos of the 1990s included homages to Apocalypse Now, Rambo and Predator as well as Budd Boetticher westerns. Although his work has always been featured in historical surveys of British experimental and avant-garde cinema, these qualities distinguished his films from more purely formalist works made at the London Filmmakers' Co-Operative, an organisation he helped to found in 1966. It meant his work was often more appreciated by skaters and punks than followers of the canonical avant garde. The extreme, short edits in his playful, visceral films have helped to keep his work fresh and alive; they still zap with energy decades later. (William Fowler)

[ About file ]

Name: Omozap 2.Jeff Keen.1991.BluRay.mkv
Date: Wed, 03 Dec 2025 08:11:07 +0100
Size: 226,698,273 bytes (216.196321 MiB)

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Production date: Tue, 02 Dec 2025 21:49:54 +0100
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[ Relevant data ]

Resolution: 1436 x 1080
Width: multiple of 4
Height: multiple of 8
Average DRF: 24.748927
Standard deviation: 6.679237
Std. dev. weighted mean: 6.65184

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B-slices: 2030 ( 72.604 %) ###############
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[ DRF analysis ]

average DRF: 24.748927
standard deviation: 6.679237
max DRF: 35

DRF<2: 0 ( 0.000 %)
DRF=2: 2 ( 0.072 %)
DRF=3: 3 ( 0.107 %)
DRF=4: 19 ( 0.680 %)
DRF=5: 31 ( 1.109 %)
DRF=6: 6 ( 0.215 %)
DRF=7: 3 ( 0.107 %)
DRF=8: 3 ( 0.107 %)
DRF=9: 6 ( 0.215 %)
DRF=10: 10 ( 0.358 %)
DRF=11: 37 ( 1.323 %)
DRF=12: 44 ( 1.574 %)
DRF=13: 58 ( 2.074 %)
DRF=14: 73 ( 2.611 %) #
DRF=15: 67 ( 2.396 %)
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DRF=17: 78 ( 2.790 %) #
DRF=18: 100 ( 3.577 %) #
DRF=19: 57 ( 2.039 %)
DRF=20: 25 ( 0.894 %)
DRF=21: 30 ( 1.073 %)
DRF=22: 27 ( 0.966 %)
DRF=23: 31 ( 1.109 %)
DRF=24: 54 ( 1.931 %)
DRF=25: 97 ( 3.469 %) #
DRF=26: 100 ( 3.577 %) #
DRF=27: 260 ( 9.299 %) ##
DRF=28: 348 ( 12.446 %) ##
DRF=29: 459 ( 16.416 %) ###
DRF=30: 381 ( 13.627 %) ###
DRF=31: 178 ( 6.366 %) #
DRF=32: 73 ( 2.611 %) #
DRF=33: 23 ( 0.823 %)
DRF=34: 4 ( 0.143 %)
DRF=35: 2 ( 0.072 %)
DRF>35: 0 ( 0.000 %)

P-slices average DRF: 24.22842
P-slices std. deviation: 5.897612
P-slices max DRF: 32

B-slices average DRF: 24.962069
B-slices std. deviation: 6.923939
B-slices max DRF: 35

I-slices average DRF: 21.615385
I-slices std. deviation: 7.849924
I-slices max DRF: 29

This report was created by AVInaptic (01-11-2020) on 11-12-2025 11:25:32